Mistress For Sale: The Greenbrier Trilogy, Book Three
Pink Flamingo Publications
I knew she was part of the Transcendentalist circle, but new to me was that she was a foreign correspondent for Horace Greeley's newspaper in Italy during The Garibaldi-Mazzini republic of Rome-- a revolution, in the end destroyed by troops from France's so-called second republic, plus Austria. She was writing dispatches back to Horace Greeley's newspaper, pregnant, keeping it secret, no one quite sure when and if she married her Giovanni Ossoli. Then trying to make sure a hired wet nurse fed her baby, dodging cannon balls, looking for her solider husband. There was a brouhaha back in the states when all this came out--how could the quintessential American woman intellectual marry someone beneath her: unintellectual, a soldier.
The problem was basic sexism and probably classism too although Ossoli was some kind of minor nobility or at least related to such.
Books for Readers Archives #186-190
How many men have married women who satisfied their need for care and comfort? And apparently Ossoli was loving and sweet-tempered. Fuller was the first of her kind in the United States, a path breaker for women in so many ways, especially her book Woman in the Nineteenth Century. This excellent biography was published in , and won a Pulitzer Prize for Biography.
Well deserved! I recommend it. Yorker Keith writes that he has used a company called BookBuzz that impresses him with the power of social media. He questions, though, if it is " a different story whether or not these blogs turn into robust book sales, [but] at least this approach propagates book promotion to the Internet world, which means the entire world. He says that "BookBlizz arranged a single day book blitz on August 31, after which bloggers hosted my book using this link If you are a Twitter member, please search for "Remembrance of Blue Roses" on your twitter account, then a series of blogs appear try to click both "Top" and "Live" tabs on the top.
This is quite amazing.
Tiger Woods - Wikipedia
BookBuzz seems to know how to use Social Networking for the book promotion. Don't forget John Birch's continuing blogspot collection of essays. The current one is about culture clashes between Americans and the British during the Second World War. This is one of the best books I've read in a long time.
Funerals for Monday, November 11, 12222
It is the story of the descendents of enslaved woman whose children were half siblings of Thomas Jefferson's wife, and then Jefferson himself had children with one of those siblings, after his wife's death. It is about the complexity of family relationships, the paternalism of Jefferson, and about how most of Jefferson's "people" were sold off because of his overwhelming debts after he died. It is a book that was possible because of the unusual recording of the doings of the Hemingses, unlike the vast majority of enslaved people.
It is about how Sally Hemings Jefferson's wife's half sister and her older brother James were in Paris with Jefferson and might have left him there for freedom, but both in the end made deals with him. James eventually received his freedom, and Sally extracted a promise from Jefferson that if she became his bed mate and help meet, he would free any children they had. She carried seven children for him, of whom four lived to adulthood.
Two of these were never officially freed, but were light enough in color that the best chance for them was to be sent quietly into life a white people, completely out of touch with their families. Two others were granted freedom as black people.
The book is also about Jefferson's ambivalence about slavery, his white family's closed doors on his relationship to Sally, and about the the vicious public attacks on Jefferson and Hemings from newspapers and others. Gordon-Reed speculates brilliantly about whether or not true affection and even love might or might not be possible between slave and enslaver. She writes powerfully and marshals her extensive sources with deceptive ease.
The saddest part of the history is Jefferson's financial ruin at the end of his life, and how few of the people who served him were given freedom. Some of the extended Hemings family managed to buy each other and live locally, but many others continued in slavery. The book offers a look at American chattel slavery that comes about as close to the lives of actual enslaved people as any documentation I've ever read, and of course, we have to remember that these were very special enslaved people: many if not most of them were half or more white Jefferson's children were three quarters white , and most of them were blood relations of Jefferson's white children.
What a world that was. Not as likely to cause climate change disaster as ours, but equally disastrous for the individuals caught up in slavery. Nature poems blend seamlessly into farm life, including a powerful prose poem in which Uncle Elmer tenderly encounters his wife's corpse and then calls on the young narrator to sit with the body until the undertaker comes, while he, Elmer, goes back to making hay.
This piece, "Aunt Helen" p. The answers Harshman derives tend toward a Buddhist emphasis on this present moment, these things around us.
- Antique Postcards, Books, Magazines, Newspapers, Documents &.
- Erotic romance.
- The Corpus Hermeticum?
- leyland s&m room.
- The Bride Stripped Bare Free Sampler?
- Culturematic: How Reality TV, John Cheever, a Pie Lab, Julia Child, Fantasy Football . . . Will Help You Create an;
One lovely poem called "Monastery" tells how the brothers dug vegetables and listened for God and without any effort God came and sang for them in a wren suit That's a Christianity this world could really use. But I think the series of poems that surprised me most were the war poems. There are a number of damaged returned soldiers, including one who may be Harshman's father or some other veteran of the allegedly good war-- a veteran whose son is a poet who uses the word "Fuck" in a poem p. This poem, like several others, creates a character and tells a story, and Harshman's ability to do this without weakening the rigor of the language is a wonder.
Finally, there are a number of poems of nightmare or perhaps horror like "Where No One Else Can Go," in which a little girl with "a fistful of white violets" is left inside "the screaming house. This collection shows Harshman, the poet laureate of West Virginia, at the height of his powers, reaching out, reaching in, without melodrama, without posing, but with passion and apprehension of the mysteries. This late novel of Rebecca West is is long and sometimes a little meandering and a little too indulgent of its precocious English children and their eccentric parents, but it is definitely worth taking the time to settle in and read.
Rebecca West isn't read as much today as perhaps she ought to be.
She is often remembered as the lover of H. Wells and the mother with Wells of Anthony West. There were a lot of fireworks in both relationships. In this novel, she remembers and fictionalizes her birth family at 50 years distance in time. The family are all artists and intellectuals; the brilliant, deeply selfish father has trouble keeping a job and gambles any money he gets on the stock exchange. The mother is an astonishing musician, disheveled, opinionated, and charming. She was a concert pianist who stopped to marry and is making pianists of the narrator Rose and her twin sister Mary.
The story begins when the girls are maybe seven or eight, at a good moment for the family when their father finally gets a job as a writer-editor for a suburban London paper. It runs roughly chronologically until the father leaves the family, when the girls are in their teens. Music is discussed at great length, and musicality is a high family value.
One of the most difficult problems for Clare the mother and Rose and Mary is that the older sister insists on being a performing violinist when, the others are convinced, she can't play and doesn't understand music. The fourth child, the baby brother whom everyone likes best, is one of those boys who can do anything— juggle, play many instruments— but is also a genius with making people feel comfortable.
Gender is significant, too, as West, a self-declared feminist, looks at how extremely talented women fared in middle class British life in the early 's. The father, Piers, unapologetically sells beloved furniture without asking his wife, and Clare never complains, and is in fact conscience-struck on the rare occasions when she makes some choice, usually financial, that favors her children over her husband. He, meanwhile, writes a monograph on the future of the world that essentially predicts the fall of the Austrian Empire and the rise of Hitler.
The dramatic heart of the novel is when the family gets involved in the murder of the father of a schoolmate of the girls, and Piers exhausts himself lobbying friends in Parliament to save the murderer— the dead man's own wife,.
There is an occasional appearance of the paranormal, notably a battle with a poltergeist that brings Clare's best friend and her daughter into the family circle. Often things are told lightly, with an almost obtuse optimism, but it ends with a long, extraordinarily moving scene the day after Piers leaves when the remaining family members go to the botanic gardens and eat sandwiches in front of a special flower that blooms only briefly. It's hard to capture the tone of the scene, but it is, in spite of a slowness that is never heavy, and in spite of the poltergeist, a well structured narrative with many pleasure and a true re-creation of childhood and adolescence in a private world where art and kindness are the highest values.
Carmen Ferreiro-Esteban's novel The King in the Stone is a romance- fantasy with very serious themes. It includes both time travel and travel to other worlds—I didn't read the previous book in the series, so I'm not absolutely clear on how these movements through time and space are effected, but Ferreiro-Esteban always keeps the present of her story sharply in focus, so there is no confusion. Andrea in particular seems very modern and has made a decision that she wants to stay in our contemporary world, where she believes she will have more freedom.
For example, he sees Andrea in the room of a male friend, and promptly breaks off their engagement. There are multiple misunderstandings between the lovers: repeatedly they find one another, recognize their love, are parted by circumstances or more misunderstandings usually when they see the other with a potential lover. There is a kind of ritualistic movement in this, and you come to expect these waves and troughs that carry us through the story. The reader always trusts, though, that the couple will eventually be together.
What I liked best about this book, though, was the way it breaks from the simple love story with a family theme, and all the parts about Spanish history. One driving plot element is the mystery of who is the early medieval king whose stone image they find on the mountains? This is a small book with great depth. The main character, Vincent, is one of Champion's gripping working class men who have achieved a university education. He is at once highly perceptive and intelligent and angry at a world that doesn't allow him to integrate his class roots with his present world view.
Vincent loves the architecture of London, the bricks and windows and skylines. He is also fascinated by the period of the second world war, and indeed he first sees Gail dressed in a period costume and begins to fall for her. Part of their love making is often acting out scenarios of various types in an attempt to grasp the mysteries of time and place. Vincent is also a university level teacher of sociology, mostly to what he calls "mature" students, many of whom are African immigrant women. His goal with his students is to teach them to question-- not only to believe many of them are religious by culture , and he is apparently very popular with them, although his insights into who they are, and his tendency to speak truth as he sees it in all situations, gets him sacked from his job.
He hates what we call in the States political correctness, and also hates people eating on trains and riding bicycles on the sidewalks. There is a crisis, after his affair with Gail falls apart, when he acts with petty but vicious violence on the perpetrators of such petty actions. He is a dark, clever, and quirky man, and one who bounces back from even his own excesses. Gail is in the end too conventional for him--she demands communication and talking, whereas he is an inveterate avoider and repressor.
The ending, as far as plot goes, is a surprise in the way real life is a surprise-- things happen, there are coincidences, their meaning is doubtful at best. Vincent goes on, teaching in a new place, living his life in his peculiar way. It's an unusual book, tight and surprising.